Experimental Animation 2016
Vimeo link to movies.
by Mark Chavez, Experimental Animation, time-variable, 4k, LED, 15000 mm by 2000 mm, North Spine Plaza, Nanyang Technological University, Singapore, 2016
Programmed as an animated pin-screen, “The Rose” uses six different recordings of Claude Debussy’s Clair de Lune, creating an audio reactive painting. The work premiered in 8K at the Ars Electronica Festival 2016,“Radical Atoms and the Alchemists of our Time”, Deep Space 8K, Linz, Austria, 8-12.09.2016
"The Rose" in 16 x 9 aspect resolution
by Ivan Yew, 3D experimental animation, LED screen 15000 mm by 2000 mm, Nanyang Technological University Singapore, 2016
The series of six animated chapters: Abyssus, Bivittatus, Monolite, Shifting States, Violet Split, Dreams Factory, all interlace into expressive lyrical painting.
Photographs taken by Quek Jia Liang
“If I had a world of my own, everything would be nonsense. Nothing would be what it is, because everything would be what it isn’t. And contrary wise, what is, it wouldn’t be. And what it wouldn't be, it would. You see?” ― Lewis Carroll, Alice’s Adventures in Wonderland & Through the Looking-Glass
The exhibition explores the connections between art of pattern and literature.
Group exhibition: 14 short experimental animations, 3 interactive installations, 2016
Based around the theme of The City, the works examine the built environment at varying levels; from the microscopic and intangible, to the grandiose and abstract. Done in collaboration between the students of NTU ADM, IEM and in Lee Kong Chian School of Medicine the artworks employs a variety of techniques ranging from digital animation, generative art, as welt as interactive data-driven pieces that were developed using Processing, the Unity game-engine and Touch Designer.
NTU ADM Year 1, 2D Foundation Studies, 2016/17 Semester 1
Faculty: Mimi Zalina, Shirley Lim, Joy Qi Yi Ho, Ina Conradi Chavez, Animation and Programming Mark Chavez
In this project, 168 ADM Foundation students are asked to pick four movie quotes from various movies that they have watched over the years. The challenge was to create a visual narrative that expresses each quote using only symbols, pictograms, dingbats (ornaments), icons and engravings as vizual vocabulary. Students manipulated, altered and deconstructed the found graphic imagery to transcend its original meaning through the creation of the indicated narratives. In order to reinterpret such preconceived associations, they had to think laterally and use narrative techniques such as hyperbole (exaggeration), metaphor, caricature, parody, anthropomorphism, etc., to create new interpretations that are visually engaging and meaningful.
G1: Abdul Qayyum, Bin Sarip, Aik Zhen Yan Dora, Anag Zerline Jade Ordonio, Calista Lee Min Fen, Celine Lee Qian Hui, Chang Wei Tong, Valantia, Claudia Tan, Duane Russell Ho An, Emma Tan Wei Pin, Goh Li Ying, Jaime, Jessabel Teng Sheng Hui, Lee Zheng Yang, Lim Wan Lin Audrelia, Lim Xin Yi Cassandra, Lydia Lui Liang Hui, Namita Kumar, Neo Kai Xin Sammi, Vanessa Ang, Vanessa Tan, Wong Shi Teng
G2: Adithi Surya Swaminathan, Anna Elizabeth Samaniego Isip, Arianne Gor, Bey Shi Min, Cai Rui Rong, Cally Ling Jia Qi, Fok Kow Fok-Chi-Seng, Ismiraudhatul Huda Binte Suleiman, Jacelyn Ng Jie Ling, Lim Han Gyu David, Ng Shi Qian, Nguyen Ha Thien Kim, Ooi Qiu Min, Phoebe Lee Wen Ting, Sim Hui Zhen Crystal, Tan How Rong Josiah, Tan Jiao Jun, Tan Yi Lin Zoe, Wong Hui-Lin Tisya
G3: Agustin Shaneenah Rae Manayon, Chang Nikki, Cheng Le Ting Natalie, Cheong Yuting, Foong Tze Young Ryan, Irene Tee@Zheng Jing Ying, Koh Jie Lyn, Kou Ying, Lau Kee Shan Meryl, Melissa Lee Hui Yu, Nur Mariyah Binte Muhamad Afandi, Ong Shu Yi, Quek Pin Yi, Shannon Low Si-En, Shervon Ong, Slater Kaie Lee, Tan Li Ling, Vanessa See Yeu Chinq, Yang Tongchen, Zhao Qiwen
G4: Alicia Lee Shu Hsien, Chin Yulin, Choo Rui Zhi Mathias, Hiew Jin Yee, Jayakumar Sandhya Pillai, Jebra Ruth Won, Li Zihong, Lim Eu Chian Alvin, .Lim Ling Ern, Margaret Suhasini Anthony, Natasha Lim Jia Yi, Ng Jia Le, Nur Liyana Binti Mohmad Azhar, Seah Kay Fong, Siti Nadia Amirah Bte Muhd Ariff Khoo, Teng Yu Qing, Tong Xu Han, Veron Teng Yee Si, Zhang Haoran
G5: Chia Te, Chong Kai Ray, Gabrielle, Debbie Ong Suet Gee,.Ho De Wei Dawin, Jon Lee En, Kam Yit Ling, Ke Queenie, Kong Jia Ming Alyssa, Lee Cai Jing,.Lee Jia Zhen, Lin Shiau Yu, Ng Gi Gin Rachel, Peh Jia Qi,..Seng Yi Ling, Soh Hui Min, Teh Ke Wei, Clara, Vania Tan Min, Vennessa Lin Jingyi, Zoelyn Gunawan
G6: Brian Bong Peng Long, Daryl Bradley Tan, Dinh Hai Yen, Hin Ye, Ho Ning, Eloise, Kezia Agatha Christian, Mark Sim Zheng Jia, Muhammad Jafri Bin Jaafar, Nasya Ephrath Goh Wei Ying, Nevin Jacob Thomas, Ow Yong Shu Yi, Brenda, Qaisarah Seiw Hui Ting Binte Roslan, Tan Jun Kang, Tay Yu Qing, Techanithisawat Thirawit, Yeo Ying Zhi, Zhang Xuan
G7: Amadea Low Mann Ting, Amelia Yuliana Binte Jamil, Casuga Justine Alethea Valerio, Cheok Bao Li, Chua Jia Jun Gerald, Danielle Koh Wen Jing, Filzah Binte Shafiee, Hana Lee, Lee Ying Hui Cand, Mok Jiaman, Natasya Adistana, Nur Najiha Puteri Mazlan, Syivester Tan, Sze Yi-An Bridgel, Veda Sutedjo Tay Yi Qin, Viena Liee Sin Tsin, Wong King Lam, Yeo Jia Min Gloria, Zhang Jiajin
Alicia Chan Li Zhen, Andree Hansen Wibowo, Ho Pei Ning, Kuah Chin Wee, Benjamin,
Lau Meichi Aster, Lau Mun Kwong Jerome, Lim Shu Xian Rochele, Lim Yi Hui Clara, Low Kit Kay Charmaine, Low Si Rui, Rannie, Mavis Lim Shi Min, Nicole Ong Jing Wen, Sim Zhi Ning Sheryl, Soh Jun Jie Benjamin, Soh Ying Zhi Amelia, Tan Chloe, Tham Wai Yee Naomi, Ye Min Valerie
Ang Cheng Hui, Chan Guanhua, Charlotte Low Qian Hui, Clarita Saslim, Gerald Wee Ren Jie, Kamal Ayesha Fathima, Lee Yi Jie, Leng Jia Yin, Carol, Ng Lee Hwa, Ng Xuan Fei, Nicholas Kok Zi Yu, Shafna, Sun Zhengfei, Syaza Arinah Binte Muhammad Sham, Tan Hwee Ann, Tan Wei Ming, Wu Huixuan Felicia
Supernatural is series of over 140 digital paintings done by the art students from the School of Art, Design and Media class Pattern, Art, Design and Architecture. Students created series of motifs inspired by various themes, from Chinese Traditional Storytelling (2013,14), Nature and Darwinism (2015), and Daydreaming (2016). For the occasion of Media Art Nexus NTU the two dimensional compositions are reanimated using experimental realtime animation into playful puzzles with unpredictable and abstract pattern variations. In collaboration with NTU Museum original artworks were exhibited as large scale textile banners (3,6 m X 0.4m) Pavilion at Tan Chin Tuan Lecture Theatre at NTU in 2015 as well as projected on a facade of the building for the occasion of the Aliwal Arts Night Crawl 2015 . The works premiered at the Ars Electronica Festival in 2016.
Alan Chong Wei Lun, Celestial Spirits, Alice Ng Hui Qing, Parallel Universe, Allan Chan Joon, Chiew Daymare, Alvin Tan, Hooked, Alvin Tan, Tox City, Angelina Dara Soechiarto, Tree Spirits, Anthea Tay, Taste of Hell, Arella Ho, Food Porn, Ariel Lee, Sweet Treats, Aurial Lee, Oceans, Aziean Abu, The Eyes Have It, Benjamin Sim, Unknown, Benji Hong Long Yip, The Human Condition, Beverley Ng, Love ReplicaBeverley Ng, Love Decadence, Bryan Lim, Ascension, Candida Ng, Many Faces, Carvey Chen, Propagation, Cassie Koh, Miro Orbis, Chan Xin Shermaine, Fools Daydream, Chloe Chan Above and Under, Chloe Chan, Above and Under Detail, Clara Anne Chow, The Convergence, Clarisa Leong, At Its Core, Colin Tan, Burnt, Denise Nicole Yap, The Cloud of Unreality, Donovan Quek, Holy Water, Elvin Ng,Fibonacci Rabbits, Evelyn Chong, Stream of Imagination,Freda Lai, Evolution Gillian Toh, Kawaii, Goh Shuhui, Ten Courts of Hell, Hemani Thanagopalasamy, NatureFetishism, Joseph Tan, Chromatic, Juliana Lim, Mother Tree, Kalaimathi_Mahendran, Pavo Pisces, Kendrick Brayden, Mortal Factory. Khairunnisa Bte Wahid, Singapore Ethnobotany, Kho Ruiwei, Forgotten, Kylie Yeo, Beauty and the Beast, Lawrence Poh, In Visible. Lee Hui Min, Utopian Cityscape, Lek Yi Xian, Parallel Worlds of Communication, Leow Si Min, Edge of Death, Lim Chang Li, Ronald Unnutural Beauty, Lim Qi Xuan, The Animal Spirit, Lim Shiau Kiat, Distortion, Lina Tay, Beauty, Mabel Ho, Natures Paradise, Maisharagh Mustajab, Migration Pattern, Malissa Tan, Alice In Wonderland, Marilyn Cher, Celebeartion, Marina Binte Ahmad, Snake, Melvin Tan, Teen Pop Lyrical Horror, Mindy Chow, Eyes On Fire, Na Iyn Huii, Chasmic Ridge, Nadzirah Binte Azaruddin, Nightmare to Dreams, Neo Xian Zhen, Totem, Nicole Tan, Botanic Alphabet, Nur Syahiadah Abdul Rahim, Singapore Summer, Nur Syairah Bte Abdul Malek, Ghaib, Octaviani Isabella, Southern Sea, Piyathip Unadirekkul, The Invasion, Png Shi Min Pamela, Stardust, Quinn Lum Fu Loong, Limbo, Rachel Danam, Imagined Lairs, Rachel Goh, Super Natural, Rachel Tan, Chaos, Rashna Shantini, Life Beyond Earth, Raychel Yixin Tan, A 7th Month Tale, Regina Ng, Asian Horror, Rianne Wynn, Transience, Ruzana Rahim, Irrational Childhood Fears, See Yuu Xuan, The Evil Within, Shannon Oon, Garden of Eve, Sharlene Lee, Aposematism, Shermain Lee, StrangeApparition, Shuyi Chen, Humarine, Tan Wan Wen Mind, Factory, Tan Wei Hsiang Kevin, Impermanence Teong Shi Hong Dereck, Propagative Dream, Tong Qian Ling, Hmmmm Hannya, Tuan Szi Yi, Forest Friends, Vanessa Cheng, Reverie Vanessa Shemander Hon, Dream Wisps, Wee Sher Ying, Flying Whales Wilfred Weegee, Lim Cosmic Mutant Wong Chun Sing, The Garden of Ancien Egypt, Woong Soak Teng, Much Like Rust, Xiao Yan, Split, YapPeiShi Jeanetee, Childhood Memories, Ye Luwei, Tracing the Ghost, Yeo Pei Xun Jonas, Headhunters Yong Xian Tong Pei, Ignait Yuen Pei Yun, IceGem Biscuits, Zachary Cheong, Japonesme
The Emote Project (Animation, 50 minutes, 12 chapters, 2017) is about feelings, brain waves and real-time experimental animation, Using EEG the brain signals were recorded and analyzed for recognizing emotional patterns and used for generating 20 animated chapters in real time after the non-lyrical music clips of the known emotional class (such as happy, sad, exciting, scary, etc) provided by Computer Science and Engineering Team. Animation by Mark Chavez, Giant Monster Collaborator Ina Conradi, Nanyang Technological University Singapore
The project is done in collaboration with Quek Hiok Chai (Assoc Prof) School of Computer Science and Engineering Dilip Kumar Prasad (Dr), Nanyang Technological University Singapore.
Colliding and Surrendering: chaos and freedom where art and technologies meet. Web3D 2017 is calling for submission from artists, scientists, technologist, and researchers for its very first art exhibition that will be held in two locations: Queensland University of Technology (QUT), Brisbane (during the Web3D 2017 conference) and Media Art Nexus NTU, (11-13 October 2017) Nanyang...
The Cube consists of 48 huge multi-touch screens dedicated to providing an inspiring, explorative and participatory experience of QUT's Science and Engineering research.
The interviews focus on the technology and industry trends that will shape the global AV and systems integration market in the months and years to come, providing readers with a snapshot view of the AV and systems integration industry from the people who are leading it.
Just in time for the festival, Deep Space 8K-the ultimate attraction at the Ars Electronica Center-is premiering a series of new and fascinating visualizations. Thanks to 16×9-meter projection surfaces on the space's front wall and floor, 8K resolution and sophisticated technical features like laser tracking, festivalgoers are in for breathtaking worlds of imagery and mind-blowing experiences over the five-day festival run.